Makers & Mentors: Michael May
- frontdesk8455
- 3 days ago
- 2 min read

This series of paintings chronicles the career of a powerful individual, who ultimately uses their authority for good. References to flora and fauna as well as things like Greek mythology, share the narrative metaphorically. These canonical references suggest concepts like seasonal changes and character traits while visually narrating the story of the character.
The trope of an unlikable character becoming a hero comes from the ancient world. For me, this highlights the complex nature of character. If we, as viewers, root against the bad guy, who eventually becomes the good guy, what does that make us? Are we good, bad, simultaneously good and bad? Can we also change?
This story is told in three acts that correspond to the seasons; winter, spring/summer and autumn. In winter, the protagonist is faced with a dilemma of character. They must choose between self-preservation and self-sacrifice. In Spring/Summer, the character has selected their path. They grow despotic, developing a desire for power, which they pursue through unjust means. Like a garden in the spring and summer, the character’s personality is cultivated as it grows. In Autumn, the character achieves a position of authority, but ultimately uses their power altruistically, making sacrifices for the benefit of others. In the same way, food is harvested in the Autumn and plants die in service and in preparation for the next cycle.
Although subtle, the imagery and patterns tell the unorthodox story of the character. The references to seasons move the story forward, asking questions about transformation and redemption. Ultimately, this work takes viewers on a visual journey, inviting them to reflect on the complexity of human nature.
Instagram: MikeMay3
Website: www.michaelmayart.com
Associate Professor, Furman University
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